• Sat 05th Apr 2003 | News

    1375 - 1381, Mianna
    Elvaar: I don't think I've ever met anyone as relaxed about getting naked as Mianna. She's like a standup comic on speed, yabbering incessantly about football (the proper kind, where you actually apply the foot to the ball) and sex and, well, anything at all. I don't know what possessed us to dress her in virginal white for an outdoors shoot, must have been her angelic disposition! Not.

    Abby: Yes, this white getup caused non-stop problems for me... I just could not get it exposed correctly (white's hard like that - you want it to show up as white on film, but you still want to see detail in it, a tricky balance). In fact, I dicked around with the exposure so long, that I only had time to do a very short shoot with Mianna, cos then Joanne arrived, and we shot their landmark GG scene.

    1382 - 1395, Michelle
    Elvaar: From Mianna to Michelle is like switching from Mork to Mindy. She seemed too delicate to plant in the garden like a pretty shrub so we produced a lovely soft sheepskin to protect her bum from the pernicious garden pests, but what we didn't notice 'til the end of the shoot was the rug itself, having been stored in the shed for several months, had been infested with tiny bugs and verily disintegrated as we gathered it up. Dont worry, we drove Michelle through the sheep dip after the shoot...no, really.

    You'll notice Danny popping up frequently in these pics, holding her special Nakediser. It works a treat. And her cue card, which we use to shut up models like Mianna - 'just read the card honey, nothing else'.

    Abby: Michelle was the first model we shot on that trip to Melbourne in January 2002. She was also one of the best. Like so many models, she moves around a lot, and despite repeated attempts to find her for another shoot, we cannot. But that's ok, cos even though I used the shittest piece of hardware Canon ever made (550ex camera mounted flash) the shoot turned out great. Like Briana's shoot a year later, the low contrast auto setting results in a boring shoot technically. Luckily, the model makes all the diff, eh?

    That's onetime assistant Serena holding the fleccy board.

    1396 - 1410, Michelle and Ginny
    It was freezing the day Michelle did her thing on the sheepskin but by the time we got to a duet with Ginny a few days later it was stinking hot again and that room was like a sauna once they started wrestling. Ginny is one of those quiet, co-operative girls who sets about her work conscientiously but youre never sure whats going on inside her head. It could equally have been 'god this girl is hot, and to think Im being PAID to do this' or 'shit, I forgot to tape Buffy tonight.'

    Abby: The first set of flash gear I ever bought were used for the first time on these shoots in Melbourne. Until that time I had been using 'hot lights', more often used in film, TV, and theatre (I have a theatre lighting background, so using those lights was a natural extension for me).

    I spent a fair bit of money on them, but what I did not count on was them not being up to the task. With hot lights, I had been able to snap happily away as much as I wanted, but with flash heads, the more you snap, the hotter they get... until they overheat, and then shut down for 20 minutes 'til they cool down. In a shoot of one model, this is annoying but not disastrous. But in a GG shoot, it's a big problem - as soon as the models get into it, the lights fail, and we take a 20 minute break.

    This happened at least three times in this shoot, and I was so damn angry with the gear, it's all I remember. Now, of course, I have kickarse flash gear, that can do about 80 frames a minute all day long (not that i need to shoot that much, but it's nice to have some overhead).

    1413 - 1419, Ming
    Abby:
    I don't remember anything about this shoot! Oh my god. I am forgetting shoots! I am only young, too young to start forgetting things like this! :( Sorry Ming.

    1420 - 1452, Nadia
    Elvaar:
    Ahhh, Nadia. Nadia is very, very classy and loads of fun. I can even let you into a secret Abby is hot for Nadia. Here, she spends a rainy day playing with the furniture. She doesn't look too comfortable on the wavy chair and we nearly gave up on the pointy chair, as she was about the fifth model we'd attempted to decorate it with, but she worked out without much difficulty how to make it look elegant. The chair. Im talking about the chair. LOOK AT THE CHAIR.

    Abby: Elvaar, Shhh. Nadia is a babe, and yes, I do like her. I am ever so proud of the lighting in this set - note how there are very few reflections on that glass (well, in the actual shoot - there are plenty here in backstage, of course)? Hard to do! Also, to get the rain-soaked trees correctly exposed, while Nadia herself being a little brighter...

    1454 - 1490, Phoebe
    Elvaar
    : Phoebe is another quiet one. Abby had had a bad day and Phoebe was about a zillion hours late, again, so we threw her in the deep end - put some gutshaking doof-doof on the stereo and asked her to dance for the video. The outcome made awful viewing but it loosened her up and this shoot on the bed (from which we coined the phrase mattress moppet) was one of the best we've done, I think. We wrote about it somewhere else I'm sure, but I'll repeat that the most memorable aspect of that night was the delightful aroma which followed Phoebe. I think we made a mistake with her hair though, it looked so cool before she plaited it. She's sort of like a bleached Wednesday Addams.

    Abby: You'll note in this shoot, that the 'quality' changes? I used to take a bunch of stills during the shooting of video, and to do that, had to increase the ISO on the camera up to 1600 (ie, really sensitive). I dont do that any more, cos my camera makes a huge racket, and stresses out VidDude no end (he has to edit out each shutter sound!).

    Phoebe unfortunately felt the need to shave her bum cheeks and even her knee caps, which resulted in that ugly rash all over. We usually ask models not to shave, to avoid rash (a bit of regrowth is preferable to rash, IOO).

  • Sat 05th Apr 2003 | News

    1375 - 1381, Mianna
    Elvaar: I don't think I've ever met anyone as relaxed about getting naked as Mianna. She's like a standup comic on speed, yabbering incessantly about football (the proper kind, where you actually apply the foot to the ball) and sex and, well, anything at all. I don't know what possessed us to dress her in virginal white for an outdoors shoot, must have been her angelic disposition! Not.

    Abby: Yes, this white getup caused non-stop problems for me... I just could not get it exposed correctly (white's hard like that - you want it to show up as white on film, but you still want to see detail in it, a tricky balance). In fact, I dicked around with the exposure so long, that I only had time to do a very short shoot with Mianna, cos then Joanne arrived, and we shot their landmark GG scene.

    1382 - 1395, Michelle
    Elvaar: From Mianna to Michelle is like switching from Mork to Mindy. She seemed too delicate to plant in the garden like a pretty shrub so we produced a lovely soft sheepskin to protect her bum from the pernicious garden pests, but what we didn't notice 'til the end of the shoot was the rug itself, having been stored in the shed for several months, had been infested with tiny bugs and verily disintegrated as we gathered it up. Dont worry, we drove Michelle through the sheep dip after the shoot...no, really.

    You'll notice Danny popping up frequently in these pics, holding her special Nakediser. It works a treat. And her cue card, which we use to shut up models like Mianna - 'just read the card honey, nothing else'.

    Abby: Michelle was the first model we shot on that trip to Melbourne in January 2002. She was also one of the best. Like so many models, she moves around a lot, and despite repeated attempts to find her for another shoot, we cannot. But that's ok, cos even though I used the shittest piece of hardware Canon ever made (550ex camera mounted flash) the shoot turned out great. Like Briana's shoot a year later, the low contrast auto setting results in a boring shoot technically. Luckily, the model makes all the diff, eh?

    That's onetime assistant Serena holding the fleccy board.

    1396 - 1410, Michelle and Ginny
    It was freezing the day Michelle did her thing on the sheepskin but by the time we got to a duet with Ginny a few days later it was stinking hot again and that room was like a sauna once they started wrestling. Ginny is one of those quiet, co-operative girls who sets about her work conscientiously but youre never sure whats going on inside her head. It could equally have been 'god this girl is hot, and to think Im being PAID to do this' or 'shit, I forgot to tape Buffy tonight.'

    Abby: The first set of flash gear I ever bought were used for the first time on these shoots in Melbourne. Until that time I had been using 'hot lights', more often used in film, TV, and theatre (I have a theatre lighting background, so using those lights was a natural extension for me).

    I spent a fair bit of money on them, but what I did not count on was them not being up to the task. With hot lights, I had been able to snap happily away as much as I wanted, but with flash heads, the more you snap, the hotter they get... until they overheat, and then shut down for 20 minutes 'til they cool down. In a shoot of one model, this is annoying but not disastrous. But in a GG shoot, it's a big problem - as soon as the models get into it, the lights fail, and we take a 20 minute break.

    This happened at least three times in this shoot, and I was so damn angry with the gear, it's all I remember. Now, of course, I have kickarse flash gear, that can do about 80 frames a minute all day long (not that i need to shoot that much, but it's nice to have some overhead).

    1413 - 1419, Ming
    Abby:
    I don't remember anything about this shoot! Oh my god. I am forgetting shoots! I am only young, too young to start forgetting things like this! :( Sorry Ming.

    1420 - 1452, Nadia
    Elvaar:
    Ahhh, Nadia. Nadia is very, very classy and loads of fun. I can even let you into a secret Abby is hot for Nadia. Here, she spends a rainy day playing with the furniture. She doesn't look too comfortable on the wavy chair and we nearly gave up on the pointy chair, as she was about the fifth model we'd attempted to decorate it with, but she worked out without much difficulty how to make it look elegant. The chair. Im talking about the chair. LOOK AT THE CHAIR.

    Abby: Elvaar, Shhh. Nadia is a babe, and yes, I do like her. I am ever so proud of the lighting in this set - note how there are very few reflections on that glass (well, in the actual shoot - there are plenty here in backstage, of course)? Hard to do! Also, to get the rain-soaked trees correctly exposed, while Nadia herself being a little brighter...

    1454 - 1490, Phoebe
    Elvaar
    : Phoebe is another quiet one. Abby had had a bad day and Phoebe was about a zillion hours late, again, so we threw her in the deep end - put some gutshaking doof-doof on the stereo and asked her to dance for the video. The outcome made awful viewing but it loosened her up and this shoot on the bed (from which we coined the phrase mattress moppet) was one of the best we've done, I think. We wrote about it somewhere else I'm sure, but I'll repeat that the most memorable aspect of that night was the delightful aroma which followed Phoebe. I think we made a mistake with her hair though, it looked so cool before she plaited it. She's sort of like a bleached Wednesday Addams.

    Abby: You'll note in this shoot, that the 'quality' changes? I used to take a bunch of stills during the shooting of video, and to do that, had to increase the ISO on the camera up to 1600 (ie, really sensitive). I dont do that any more, cos my camera makes a huge racket, and stresses out VidDude no end (he has to edit out each shutter sound!).

    Phoebe unfortunately felt the need to shave her bum cheeks and even her knee caps, which resulted in that ugly rash all over. We usually ask models not to shave, to avoid rash (a bit of regrowth is preferable to rash, IOO).

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