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  • Sat 21st Jun 2003 | News

    1709-1735 Amanda and Annalise
    Elvaar: After the success of the somewhat candid 'performance' by Susie and Nikki (there was no performing going on at all, we later realised) we decided that a good girl-girl sequence was much more about passion than what the girls look like. So we invited 5 Abby girls around for an afternoon of fun and frivolity then asked them all to write down on a secret ballot the name of the girl they'd most like to shag. The only two-way match came from these two so we set up our cameras and gave them the most basic of instructions - 'just have a good time and get right into it'. Sounds like a simple recipe - but then so does making toast, and how often we burn it. We did some good stills but unfortunately the video is a little more Thespian than lesbian.

    1736-1744 Haley Redux
    Haley is one of those really quiet, easy going girls we love to photograph. She was chuffed to be invited back and we were pleased to see her skin had apparently not been impinged upon by a single photon since the previous shoot. Ah, alabaster, thy glow does warm the heart of my cockles.

    1745-1789 Rural NSW, incl. Susie, Gretchen, Serena
    One of the lurks of working for Abby Winters is that she's all for trying new things (except food). So when somebody said "hey I've got an idea, lets pack the gear up and set off to, say, a beautiful seaside town and see if we can get some chicks to shoot?" Abby was easily swayed. It was Autumn and we were staring at 5 months of shivery so we thought, beachy is peachy, and we headed north to Byron Bay. Well we weren't disappointed - no shortage of locations and pretty girls. Susie was in charge of recruitment, with Serena assisting and Gretchen, well she was freeloading nut we don't mind one bit because Gretchen is cool, and funny.

    1790-1802 Susie beach
    We had just finished shooting somebody on a long stretch of deserted beach late one afternoon when a full moon started to rise and make an eerie late afternoon light. Susie had kept her clothes on for, oh, days, and we knew it was only a matter of time before this would happen. She took off down to the beach in a gallop, ripping her gear off along the way in a very Sports Illustrated way, as only Susie can do.

    1803-1812 Petra train tracks
    Petra was a big departure for Abby and especially, from the style of shoots we'd been doing on this trip. We invited her down from a northern capital on the strength of just a few sample shots, something which had backfired on us once before but this time we were totally arrested by what we saw that morning she arrived. Given her smouldering looks and beautiful pearly complexion, the beach was out so we decamped to a nearby railway line to get some rusty juxtaposition to her pristine organic form (that's arty talk, you probably won't understand - that's why we're here and you're there.) The tracks were stinking hot so you might see her wincing as she sits down the first time. And I'm not sure if the shots made it into the set but in the distance you might see a car stopped on the level crossing for an extraordinary amount of time - Petra didn't mind, and we didn't mind, because the sound of mangling metal would have given us handy warning of an approaching train.

    We're sorry about the boots, they don't suit the girl or the location, but that's all she had. We're not one bit sorry about Petra though.

  • Sat 21st Jun 2003 | News

    1709-1735 Amanda and Annalise
    Elvaar: After the success of the somewhat candid 'performance' by Susie and Nikki (there was no performing going on at all, we later realised) we decided that a good girl-girl sequence was much more about passion than what the girls look like. So we invited 5 Abby girls around for an afternoon of fun and frivolity then asked them all to write down on a secret ballot the name of the girl they'd most like to shag. The only two-way match came from these two so we set up our cameras and gave them the most basic of instructions - 'just have a good time and get right into it'. Sounds like a simple recipe - but then so does making toast, and how often we burn it. We did some good stills but unfortunately the video is a little more Thespian than lesbian.

    1736-1744 Haley Redux
    Haley is one of those really quiet, easy going girls we love to photograph. She was chuffed to be invited back and we were pleased to see her skin had apparently not been impinged upon by a single photon since the previous shoot. Ah, alabaster, thy glow does warm the heart of my cockles.

    1745-1789 Rural NSW, incl. Susie, Gretchen, Serena
    One of the lurks of working for Abby Winters is that she's all for trying new things (except food). So when somebody said "hey I've got an idea, lets pack the gear up and set off to, say, a beautiful seaside town and see if we can get some chicks to shoot?" Abby was easily swayed. It was Autumn and we were staring at 5 months of shivery so we thought, beachy is peachy, and we headed north to Byron Bay. Well we weren't disappointed - no shortage of locations and pretty girls. Susie was in charge of recruitment, with Serena assisting and Gretchen, well she was freeloading nut we don't mind one bit because Gretchen is cool, and funny.

    1790-1802 Susie beach
    We had just finished shooting somebody on a long stretch of deserted beach late one afternoon when a full moon started to rise and make an eerie late afternoon light. Susie had kept her clothes on for, oh, days, and we knew it was only a matter of time before this would happen. She took off down to the beach in a gallop, ripping her gear off along the way in a very Sports Illustrated way, as only Susie can do.

    1803-1812 Petra train tracks
    Petra was a big departure for Abby and especially, from the style of shoots we'd been doing on this trip. We invited her down from a northern capital on the strength of just a few sample shots, something which had backfired on us once before but this time we were totally arrested by what we saw that morning she arrived. Given her smouldering looks and beautiful pearly complexion, the beach was out so we decamped to a nearby railway line to get some rusty juxtaposition to her pristine organic form (that's arty talk, you probably won't understand - that's why we're here and you're there.) The tracks were stinking hot so you might see her wincing as she sits down the first time. And I'm not sure if the shots made it into the set but in the distance you might see a car stopped on the level crossing for an extraordinary amount of time - Petra didn't mind, and we didn't mind, because the sound of mangling metal would have given us handy warning of an approaching train.

    We're sorry about the boots, they don't suit the girl or the location, but that's all she had. We're not one bit sorry about Petra though.

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