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behind_the_scenes
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  • Sat 04th Oct 2003 | Behind the Scenes

    2161 - 2162 Bonnie
    Abby:
    Argh, it's all a blur. I don't remember anything this shoot, except it was pretty fast. VidDude?

    VidDude: Bonnie was adorable. I liked her a lot. She was a bit shy, a bit preoccupied maybe, but she just looked exactly like the kind of girl who would never do this kind of thing, which is always a big plus for me. If it was up to me, the whole site would be populated by girls like that, girls just like Bonnie. Cass didn't seem to like her so much, though. And as Abby said, the shoot was over quickly. Sometimes, if a model doesn't capture Abby's attention straight away, it'll be a bit of a rushed shoot. She misses a few gems that way, I think.

    Cass: My Bonnie lies o'er the ocean. I always relate names and words to songs. I was this the whole way through her shoot. Bonnie was one of the first shoots I did with Abby. It was the first shoot in the studio which all seemed quite exciting and professional at the time. It's just a day in the life of now for this pro. Ahhh, K!

    I got a bit of a shock when Abby said she wanted to shoot Bonnie. I guess, like most girls my age, I had a pre conceived notion of what kind of girls Abby actually wanted here, and openly admit that I was very surprised I even gained a shoot, as I didn't have those stereotypical large boobs, straight white teeth, flowing blonde tresses or long slender legs. Not that I ever found that to be a hugely appealing collection of assets anyway. So this Bonnie Lass was a good insight for me, and for getting all the rubbish ideas out of my brain-washed head. Very pleasant young lady she was too. Obliging, innocent and terribly sweet. It was a good day.

    2163 - 2197 Leigh
    Elvaar:
    I was on Street Directory Duty that day and Abby got grumpy at me for navigating us up too many dead end streets. Once we saw Leigh's charming visage all was forgiven of course. She has one of those flats (apartments to you Americans) which is really really "lived-in", festooned with years of personal paraphernalia. She even showed us through her photo albums which was a treat, but it seemed weird that everybody had their clothes on! Maybe I need to get out more.

    Abby: Leigh is one of my fave models - she's so relaxed and sensible. We went back to her home a few times to shoot her. In her redux shoot (not this one), she was blue with cold, but insisted we kept going. I changed the lighting half way thru, from only bounced flash, to only natural light. As always, the natural light is a lot better.

    2198 - 2212 Kitty
    Abby:
    I shot Kitty on my own (unusual - I am careful to shoot every model with someone else present now, so there's no chance of anyone accusing anyone else of any funny business - not that this has ever happened in our work, but I figure if it can happen to other people, it can happen to me), after meeting her a very round about way over the internet when I was in sunny Brisbane. It was one of the first shoots with my new "real" camera, a Canon D30. Kitty was a hardcore porn model, and likes to dress... outrageously. Check her out in this pic of Angel!

    Kitty was up for a lot, but had the hardened professional look about the way she did stuff. She's top gal, tho. Had a baby in early 2003, so congrats Kitty!

    2213 - 2240 Kylie and Joanne GG
    Elvaar:
    Sometimes we have to try pretty hard to get girls laughing. In this case we almost had to try and shut them up - some latent teen sleepover energy was definitely released in this shoot as Joanne and Kylie tried to rid each other of their knickers. Then Kylie was telling us some saucy stories of what happened after lights-out on school camping trips. We can't tell, of course, but we can let on that some of those stories have inspired recent Abby Winters shoots. You'll have to work out which.

    Oh yes and the ubiquitous Susie, before she lost her eyebrows in the Petra Duct Tape Accident of Autumn 2002.

    Abby: The video of this shoot ended up being our first real VHS "feature" release, in mid 2002 - "games girls play". While Kylie and Joanne did an excellent job, Elvaar and I mucked up the sound, lighting and some of the shooting, but most people have not bitched about it too much.

    Little did we know, that Joanne would end up working for us full time! Kylie came in to the studio to visit us recently, and it was great to see them reunited.

    2241 - 2271 Emma redux
    Abby:
    Do I say "this is my fave model" too much? Emma is right up there. She is absolutely full of attitude, and the only way to deal with models like that is to insult them. You should be able to imagine what I was saying to her to get the responses I photographed! All in fun, of course, and it really works to get the most out of a model, I find. Elvaar says I go too far. Emma reminds me a lot of Rani in her attitude, actually.

  • Sat 04th Oct 2003 | Behind the Scenes

    2161 - 2162 Bonnie
    Abby:
    Argh, it's all a blur. I don't remember anything this shoot, except it was pretty fast. VidDude?

    VidDude: Bonnie was adorable. I liked her a lot. She was a bit shy, a bit preoccupied maybe, but she just looked exactly like the kind of girl who would never do this kind of thing, which is always a big plus for me. If it was up to me, the whole site would be populated by girls like that, girls just like Bonnie. Cass didn't seem to like her so much, though. And as Abby said, the shoot was over quickly. Sometimes, if a model doesn't capture Abby's attention straight away, it'll be a bit of a rushed shoot. She misses a few gems that way, I think.

    Cass: My Bonnie lies o'er the ocean. I always relate names and words to songs. I was this the whole way through her shoot. Bonnie was one of the first shoots I did with Abby. It was the first shoot in the studio which all seemed quite exciting and professional at the time. It's just a day in the life of now for this pro. Ahhh, K!

    I got a bit of a shock when Abby said she wanted to shoot Bonnie. I guess, like most girls my age, I had a pre conceived notion of what kind of girls Abby actually wanted here, and openly admit that I was very surprised I even gained a shoot, as I didn't have those stereotypical large boobs, straight white teeth, flowing blonde tresses or long slender legs. Not that I ever found that to be a hugely appealing collection of assets anyway. So this Bonnie Lass was a good insight for me, and for getting all the rubbish ideas out of my brain-washed head. Very pleasant young lady she was too. Obliging, innocent and terribly sweet. It was a good day.

    2163 - 2197 Leigh
    Elvaar:
    I was on Street Directory Duty that day and Abby got grumpy at me for navigating us up too many dead end streets. Once we saw Leigh's charming visage all was forgiven of course. She has one of those flats (apartments to you Americans) which is really really "lived-in", festooned with years of personal paraphernalia. She even showed us through her photo albums which was a treat, but it seemed weird that everybody had their clothes on! Maybe I need to get out more.

    Abby: Leigh is one of my fave models - she's so relaxed and sensible. We went back to her home a few times to shoot her. In her redux shoot (not this one), she was blue with cold, but insisted we kept going. I changed the lighting half way thru, from only bounced flash, to only natural light. As always, the natural light is a lot better.

    2198 - 2212 Kitty
    Abby:
    I shot Kitty on my own (unusual - I am careful to shoot every model with someone else present now, so there's no chance of anyone accusing anyone else of any funny business - not that this has ever happened in our work, but I figure if it can happen to other people, it can happen to me), after meeting her a very round about way over the internet when I was in sunny Brisbane. It was one of the first shoots with my new "real" camera, a Canon D30. Kitty was a hardcore porn model, and likes to dress... outrageously. Check her out in this pic of Angel!

    Kitty was up for a lot, but had the hardened professional look about the way she did stuff. She's top gal, tho. Had a baby in early 2003, so congrats Kitty!

    2213 - 2240 Kylie and Joanne GG
    Elvaar:
    Sometimes we have to try pretty hard to get girls laughing. In this case we almost had to try and shut them up - some latent teen sleepover energy was definitely released in this shoot as Joanne and Kylie tried to rid each other of their knickers. Then Kylie was telling us some saucy stories of what happened after lights-out on school camping trips. We can't tell, of course, but we can let on that some of those stories have inspired recent Abby Winters shoots. You'll have to work out which.

    Oh yes and the ubiquitous Susie, before she lost her eyebrows in the Petra Duct Tape Accident of Autumn 2002.

    Abby: The video of this shoot ended up being our first real VHS "feature" release, in mid 2002 - "games girls play". While Kylie and Joanne did an excellent job, Elvaar and I mucked up the sound, lighting and some of the shooting, but most people have not bitched about it too much.

    Little did we know, that Joanne would end up working for us full time! Kylie came in to the studio to visit us recently, and it was great to see them reunited.

    2241 - 2271 Emma redux
    Abby:
    Do I say "this is my fave model" too much? Emma is right up there. She is absolutely full of attitude, and the only way to deal with models like that is to insult them. You should be able to imagine what I was saying to her to get the responses I photographed! All in fun, of course, and it really works to get the most out of a model, I find. Elvaar says I go too far. Emma reminds me a lot of Rani in her attitude, actually.

  • Sat 27th Sep 2003 | Behind the Scenes

    2114 - 2129 Lizzie (Deviations / fire twirling)
    Abby:
    The more we got to know Lizzie, the more we liked about her - and the more we learnt. These pics only partly do her athleticism, beauty, and skill justice. I'd never shot fire before, and I really should have learnt more about it before I leapt into this shoot (actually Elvaar's idea). We did not have enough fuel to get the fire to burn bright enough for the oil scene, so we had to shoot in these manic bursts when we threw on some twigs.

    For the fire twirling, I had to use a tripod, set the camera to ISO1600 (hence the grain), an aperture of 2.8, and shutter speeds of .5 to four seconds. The set as it appears in the deviations section is very uneven, technically, which frustrates me no end. Maybe next time, I'll get it right!

    Susie: Ooh-fire! This was so awesome! Lizzie had her fire twirler thingies, and we covered her in baby Oil and let her go! I nearly got hit in the head with fire because I got so excited!

    Elvaar: Lizzie was a bit nervous that she'd hit the thingies on her naked body and splash burning oil on her skin, so it all started very tentatively. I'd been struck (okay, fantasising) about the awesome sexiness of a girl twirling fire since I visited Byron about a year earlier. It's a bit of a hippy hangout and the fire people come out at dusk to do their stuff on the grassy knoll by the foreshore, while the tourists throw coins. When I found out Lizzie was one of those, I insisted we shoot her, but it turned out a lot harder than I expected. She has an incredible figure though and it worked well. Lizzie often looks goofy in pictures, and we don't know why, she has loads of personality and is very bright.

    2130 - 2145 Leyla Redux
    Abby:
    We wanted to shoot Leyla in her cat-suit, but it broke just as we were setting up - she zipped it up, but could not unzip it (important, in a nude shoot). Suzie tried gallantly to fix it (see backstage 1926, a few updates ago), but to no avail. She got it fixed by a tailor, and came back, and we did this shoot that is another of my all time faves. I love the natural light as backlight, the glare on the table, and her cat-like moves. Dead spunky model, unfortunately too shy for video - this scene would've worked very well.

    Susie: The cat suit! Meow!

    Elvaar: Was I there?

    2146 - 2160 Emily Redux
    Abby:
    Emily told us she had her period, but as she was up for nude-only, and we were leaving the next day, we wanted to shoot her anyway. However, she was not that worried about doing some open-leg poses. This shoot was inspired by one-time board-poster, TalkingFigLeaf, and his brilliant post of an encounter with a lady friend who managed to wear her bra as knickers.

    Susie: So sweet, this shoot has Emily the surfer girl with her bra on as undies!

    Elvaar: This was where I got to indulge my riotgrrl fetish. Except we didn't quite have the right outfit, or the right girl, so it turned out that the girl next door was a tryhard punk this time.

  • Sat 27th Sep 2003 | Behind the Scenes

    2114 - 2129 Lizzie (Deviations / fire twirling)
    Abby:
    The more we got to know Lizzie, the more we liked about her - and the more we learnt. These pics only partly do her athleticism, beauty, and skill justice. I'd never shot fire before, and I really should have learnt more about it before I leapt into this shoot (actually Elvaar's idea). We did not have enough fuel to get the fire to burn bright enough for the oil scene, so we had to shoot in these manic bursts when we threw on some twigs.

    For the fire twirling, I had to use a tripod, set the camera to ISO1600 (hence the grain), an aperture of 2.8, and shutter speeds of .5 to four seconds. The set as it appears in the deviations section is very uneven, technically, which frustrates me no end. Maybe next time, I'll get it right!

    Susie: Ooh-fire! This was so awesome! Lizzie had her fire twirler thingies, and we covered her in baby Oil and let her go! I nearly got hit in the head with fire because I got so excited!

    Elvaar: Lizzie was a bit nervous that she'd hit the thingies on her naked body and splash burning oil on her skin, so it all started very tentatively. I'd been struck (okay, fantasising) about the awesome sexiness of a girl twirling fire since I visited Byron about a year earlier. It's a bit of a hippy hangout and the fire people come out at dusk to do their stuff on the grassy knoll by the foreshore, while the tourists throw coins. When I found out Lizzie was one of those, I insisted we shoot her, but it turned out a lot harder than I expected. She has an incredible figure though and it worked well. Lizzie often looks goofy in pictures, and we don't know why, she has loads of personality and is very bright.

    2130 - 2145 Leyla Redux
    Abby:
    We wanted to shoot Leyla in her cat-suit, but it broke just as we were setting up - she zipped it up, but could not unzip it (important, in a nude shoot). Suzie tried gallantly to fix it (see backstage 1926, a few updates ago), but to no avail. She got it fixed by a tailor, and came back, and we did this shoot that is another of my all time faves. I love the natural light as backlight, the glare on the table, and her cat-like moves. Dead spunky model, unfortunately too shy for video - this scene would've worked very well.

    Susie: The cat suit! Meow!

    Elvaar: Was I there?

    2146 - 2160 Emily Redux
    Abby:
    Emily told us she had her period, but as she was up for nude-only, and we were leaving the next day, we wanted to shoot her anyway. However, she was not that worried about doing some open-leg poses. This shoot was inspired by one-time board-poster, TalkingFigLeaf, and his brilliant post of an encounter with a lady friend who managed to wear her bra as knickers.

    Susie: So sweet, this shoot has Emily the surfer girl with her bra on as undies!

    Elvaar: This was where I got to indulge my riotgrrl fetish. Except we didn't quite have the right outfit, or the right girl, so it turned out that the girl next door was a tryhard punk this time.

  • Sat 20th Sep 2003 | Behind the Scenes

    2014 - 2046 Petra
    Abby:
    We got Petra as a model largely by chance, and via a very circuitous route. I was hesitant from her test shots (we did not interview her), but Elvaar insisted and was right on the money, as he so often is. We had a great day planned, the legendary train tracks shoot, this window-seat shoot, the Deviations shoot in the dungeon, and a girl-girl shoot with Susie - a really full day.

    Unfortunately my camera broke mid-way through the Dungeon shoot (you can see where we switched to the cheapie cam we shot about a quarter of this site on, when we were getting started). ANYway, for this shoot, the camera worked fine. Most of these were taken while Elvaar was shooting video, hence the noise.

    Susie: Ahh... Petra changing a light bulb... so simple... so lovely!

    Elvaar: I never thought anyone could reach 19 without having changed a light bulb but when you smoulder like Petra I suspect there are a lot of things you never have to do. Susie is of course being sarcastic, her usual fallback when she has nothing to say (hardly ever). It seemed a simple enough idea - girl in morning attire reaches up to change light bulb, while camera, as always the voyeur, captures the modulations of her rippling musculature. As you can see here, Petra is a lot more comfortable being a starlet than an electrician. Incidentally that's my shirt, bought from Saver's by Gretchen for 2.99, I believe.

    2047 - 2057 Aimee
    Abby:
    One of Elvaar's faves (and mine too!), Aimee was such a damn nice gal - and has a great rig for a 31 year old! She had some great pee stories, that I'll let Elvaar relate...

    Susie: We couldn't believe our luck when Miss Aimee walked in, she was stunning. This pee scene was hilarious! She just cracked up the whole time! Nice work by Aimee.

    Elvaar: Pee stories? What makes you think _I_ was paying attention? Yeah I want to marry Aimee. Really. She's cool, and sensible, and doesn't suck.

    2048 - 2072 Felicity
    Abby:
    This was a 20 knockoff shoot, cos we felt it'd be rude to shoot Lizzie and not Felicity. There must have been something wrong with my brain that day, dunno what I was thinking, cos she turned out to be a very popular model. Despite not spending much time on her shoot, it's a good one. I like the light a lot.

    Susie: She's got the best freckles! Even on her bum!

    Elvaar: I think I would have picked Felicity as a popular Abby model, but we just couldn't find a way to shoot her, so somebody picked up the bucket of pegs and voila, a shoot. She was nice.

    2073 - 2085 Georgia
    Abby:
    This gal was great fun. 18 and up for everything that could possibly be construed as a good time. She's from Canada, which I have learnt is a lot like Australia. I'd like to go there some day.

    We take clothes along to shoots in case a model bring nothing but black clothes (these don't show up so well on film), or brings really glammy Penthouse-style stuff cos for some reason she thinks that's what we want. They cheerfully tell us they never wear that shit, but own it cos their boyf made them buy it. sigh

    Susie: Another funny shoot, Georgia made a total mess of the clothes department and I had to clean it up! As usual!

    Elvaar: Stop your whining Susie, I seem to remember you spent this shoot playing Snood on Abby's notebook. Georgia was fun, and very grownup for her age.

    2086 - 2105 Aimee redux
    Abby:
    Driving around the town we were staying in, we saw this turnoff to a small road, and it looked like a great location for a secluded outdoors shoot. Turned out it was the main drag to the next town. We stopped for five minutes and started setting up, but Aimee got more and more nervous at all the trucks driving past, and I didn't like them much either. So we kept driving, taking the smallest turnoffs we could find, until we came to this location, as you can see in 2099, it's kind of remote. Right near a paddock of cows, and in the lush green grass, it was the perfect place for Aimee to pop the top and have a lounge around. And a pee.

    Susie: There were so many cool shoots in Byron, but this had to be one of the best. "Hey Aimee, lets drive drive someplace in your Kombi and you can jump around nude in it!" And she was like "Yeah!!" What more can I say?

    Elvaar: We asked her to ferret around in that stowage compartment so we could get some good bum shots. And we did, but we got so much more...(sorry, borrowed that from the Spinal Tap script)....unfortunately we can't reveal exactly what she pulled outta there, but it was sure funny. It was a beautiful day, just after some rain so the ground was quite soggy, and the tripod kept sinking. Apart from that all I can remember is how damn cute Aimee was. Is.

    2106 - 2113 Mez Leonie
    Abby:
    We trekked for about 45 minutes to get to this beach, nominally nudist, and had to walk up it with all our gear for about a kilometre to find a patch that was suitable. My car still has stains on the inside doors from where Elvaar over-enthusiastically applied sunscreen, as a reminder of a shoot that was a lot of hassle, and was not really an ideal model for the site. Cool location, tho.

    Susie: Cool hula-hoops! She was a real-life circus performer! Cool!

    Elvaar: It was my call to shoot Leonie but I probably shouldn't have been so vocal without having met her closeup (I saw test pics, and saw her walk past). She was a cool performer though, and I still can't work out how she got those hoops to go up and down her body, separate, then meet in the middle again. That animal on the sign is a local maneater called a Kangasaurus.

  • Sat 20th Sep 2003 | Behind the Scenes

    2014 - 2046 Petra
    Abby:
    We got Petra as a model largely by chance, and via a very circuitous route. I was hesitant from her test shots (we did not interview her), but Elvaar insisted and was right on the money, as he so often is. We had a great day planned, the legendary train tracks shoot, this window-seat shoot, the Deviations shoot in the dungeon, and a girl-girl shoot with Susie - a really full day.

    Unfortunately my camera broke mid-way through the Dungeon shoot (you can see where we switched to the cheapie cam we shot about a quarter of this site on, when we were getting started). ANYway, for this shoot, the camera worked fine. Most of these were taken while Elvaar was shooting video, hence the noise.

    Susie: Ahh... Petra changing a light bulb... so simple... so lovely!

    Elvaar: I never thought anyone could reach 19 without having changed a light bulb but when you smoulder like Petra I suspect there are a lot of things you never have to do. Susie is of course being sarcastic, her usual fallback when she has nothing to say (hardly ever). It seemed a simple enough idea - girl in morning attire reaches up to change light bulb, while camera, as always the voyeur, captures the modulations of her rippling musculature. As you can see here, Petra is a lot more comfortable being a starlet than an electrician. Incidentally that's my shirt, bought from Saver's by Gretchen for 2.99, I believe.

    2047 - 2057 Aimee
    Abby:
    One of Elvaar's faves (and mine too!), Aimee was such a damn nice gal - and has a great rig for a 31 year old! She had some great pee stories, that I'll let Elvaar relate...

    Susie: We couldn't believe our luck when Miss Aimee walked in, she was stunning. This pee scene was hilarious! She just cracked up the whole time! Nice work by Aimee.

    Elvaar: Pee stories? What makes you think _I_ was paying attention? Yeah I want to marry Aimee. Really. She's cool, and sensible, and doesn't suck.

    2048 - 2072 Felicity
    Abby:
    This was a 20 knockoff shoot, cos we felt it'd be rude to shoot Lizzie and not Felicity. There must have been something wrong with my brain that day, dunno what I was thinking, cos she turned out to be a very popular model. Despite not spending much time on her shoot, it's a good one. I like the light a lot.

    Susie: She's got the best freckles! Even on her bum!

    Elvaar: I think I would have picked Felicity as a popular Abby model, but we just couldn't find a way to shoot her, so somebody picked up the bucket of pegs and voila, a shoot. She was nice.

    2073 - 2085 Georgia
    Abby:
    This gal was great fun. 18 and up for everything that could possibly be construed as a good time. She's from Canada, which I have learnt is a lot like Australia. I'd like to go there some day.

    We take clothes along to shoots in case a model bring nothing but black clothes (these don't show up so well on film), or brings really glammy Penthouse-style stuff cos for some reason she thinks that's what we want. They cheerfully tell us they never wear that shit, but own it cos their boyf made them buy it. sigh

    Susie: Another funny shoot, Georgia made a total mess of the clothes department and I had to clean it up! As usual!

    Elvaar: Stop your whining Susie, I seem to remember you spent this shoot playing Snood on Abby's notebook. Georgia was fun, and very grownup for her age.

    2086 - 2105 Aimee redux
    Abby:
    Driving around the town we were staying in, we saw this turnoff to a small road, and it looked like a great location for a secluded outdoors shoot. Turned out it was the main drag to the next town. We stopped for five minutes and started setting up, but Aimee got more and more nervous at all the trucks driving past, and I didn't like them much either. So we kept driving, taking the smallest turnoffs we could find, until we came to this location, as you can see in 2099, it's kind of remote. Right near a paddock of cows, and in the lush green grass, it was the perfect place for Aimee to pop the top and have a lounge around. And a pee.

    Susie: There were so many cool shoots in Byron, but this had to be one of the best. "Hey Aimee, lets drive drive someplace in your Kombi and you can jump around nude in it!" And she was like "Yeah!!" What more can I say?

    Elvaar: We asked her to ferret around in that stowage compartment so we could get some good bum shots. And we did, but we got so much more...(sorry, borrowed that from the Spinal Tap script)....unfortunately we can't reveal exactly what she pulled outta there, but it was sure funny. It was a beautiful day, just after some rain so the ground was quite soggy, and the tripod kept sinking. Apart from that all I can remember is how damn cute Aimee was. Is.

    2106 - 2113 Mez Leonie
    Abby:
    We trekked for about 45 minutes to get to this beach, nominally nudist, and had to walk up it with all our gear for about a kilometre to find a patch that was suitable. My car still has stains on the inside doors from where Elvaar over-enthusiastically applied sunscreen, as a reminder of a shoot that was a lot of hassle, and was not really an ideal model for the site. Cool location, tho.

    Susie: Cool hula-hoops! She was a real-life circus performer! Cool!

    Elvaar: It was my call to shoot Leonie but I probably shouldn't have been so vocal without having met her closeup (I saw test pics, and saw her walk past). She was a cool performer though, and I still can't work out how she got those hoops to go up and down her body, separate, then meet in the middle again. That animal on the sign is a local maneater called a Kangasaurus.

  • Sat 13th Sep 2003 | Behind the Scenes

    1915 - 1928 Leyla
    Susie:
    Aww, she's lovely too. I love all the Byron girls the best! They have the best tans, and cute little dreadlocks. It was so hard trying to get the damn cat suit to do up, the zip was broken, but we really wanted to use it. One of the only girls I've seen who make cat suits look good!

    Abby: Leyla was the first model we shot in this new town, it was a Friday night, the mozzies were biting, and the sun was setting real fast, Despite the shittyness of the flash, this set turned out ok, even though it's technically a little under. Leyla was a trooper and endured many bits for this shoot.

    1929 - 1935 Emily (first surf shoot)
    Susie:
    The surfing shoot! Emily bought along her own board and actually managed to catch a couple of waves nude, what a top chick! She thought it was hilarious, we all had the best time!

    Abby: We had been wanting to do a beach shoot at sunset for a long time, and we finally got the chance. Emily had the board with her when she came for her shoot, and the time was right. She showed us what we thought was going to be an isolated surfing beach, but it actually turned out to be pretty populated. She said she'd never do this on her own, but having a photographer, videographer, and assistant on the scene lent it all an air of legitimacy that made her feel comfy. I for one am glad we could be of assistance!

    Elvaar: Yeah, Emily was the real archetypal surfie chick, and turned up in a clapped-out old station wagon, out of rego but full of sand and KFC wrappers. I think she had an exhibitionist's streak in her and really dug the whole escapade. She was kind of shy for the video and I'd like to have got some good shots of her on the board - she was very co-operative but the surf wasn't. All the other surfies gathered around to lend some authenticity to the scene - thanks guys, but we had a beach and a pretty naked girl, that's all we needed!

    1936 - 1959 Leyla and Georgia (and Susie and Gretchen)
    Susie:
    This was sooo much fun! Gretchen and I were cracking up the whole time, and so were the girls but Abby was trying to make us keep straight faces, which just made it worse!! I think the idea for the shoot was Elvaar's, and we all loved it straight away. Lucky we could find two cool chicks to do it with.

    Abby: Little did Susie know, but her and Gretchen were strictly eye-candy, and not part of the master plan. But that's ok. Like most of these shoots, we started (well, Elvaar started) with a germ of an idea - body painting - and we all ran with it. It quickly grew into a massive production, with hair and makeup crew required, and a props department. We scattered and reconvened a few hours later, and this shoot was the result. Ever-enthusiastic to introduce a liquid element into a shoot, Elvaar suggested they have a shower to clean up, and luckily our beach house came with an outdoor shower. The sunset garden frolic was a given.

    Elvaar: That paint is freaky stuff, like latex, and it was clogging the shower drain for the rest of our stay there, not to mention the patio which we never did quite clean up. The girls were a bit bemused at the idea at first but once they got those brushes out their inner girlies took over and it was like going back to kinder. You'll notice a lot of gadget-girl Abby's grips apparatus in these shots - why get somebody to hold something when you can spend half an hour constructing a heath-robinson to do it for you?

    1960 - 1970 Kaye
    Susie:
    Average. Very average. This shoot is all Elvaar's fault though he won't admit it. He thought she was lovely, Abby and I felt very differently. And still do.

    Abby: Me too. I did not like Kaye at all. She was grumpy and annoying.

    Elvaar: She was no less annoying than Abby is when you put a fingerprint on her monitor. A bit delusional, sure, but we get a few of those. I thought she was quite pretty and had a nice figure.

    1971 - 1989 Rachel
    Susie:
    This lovely young lady did this awesome shoot on the hammock with us, then as she was leaving all her friends came over to pick her up. They were all gorgeous! (And all very young!) We were all excited but they declined their services unfortunately... ah well, it's their loss!

    Abby: This premise was Elvaar's idea, and like pretty much all of his, it was a good one. The problem was, she is the wrong model for it. Rachel has these arresting blue eyes that beg to be looking at the camera. Shooting in a hammock presented more difficulties than we anticipated, as well, for angles. I think we should tackle this location again.

    Elvaar: Another one of those "seemed like a good idea at the time" but because the hammock hugs the body contours it's more restrictive than anything else, and I don't think she was the right girl for it.

    1990 - 2000 Lizzie
    Susie:
    Lizzie is so beautiful! She has the best tan EVER!

    Abby: Lizzie ended up being a great friend of ours. She and Felicity met Cass by the kind of accident that can only have when you're backpacking around a country like Australia, and mentioned us. Lizzie and Felicity were curious, and came to meet us (and thus, Cass's first referral - we offer a cash incentive to models we shoot to refer their friends). Lizzie, next to Susie, is the most photographed model on this site.

    A few months after Cass started, Lizzie moved in, and then started working for us. She was invaluable in many areas, and drove the boat on our recent river shoots (and cooked lunch to boot!). Lizzie is now in NZ terrorizing Kiwi boys. :)

    Elvaar: Mmm lizzie...she's one of those quiet girls who lets you think there's not much going on inside, then she'll come out with something witty and insightful that makes everyone laugh. This might be hard to believe, but she actually isn't very photogenic - none of the pictures on the site do justice to her gorgeousness.

    2001 - 2013 - Lizzie and Felicity
    Susie:
    Lizzie brought along the darling Felicity too, what a bonus eh? Lizzie liked working with us so much she has just recently done an explicit shoot. And while you are looking at theses photos, check out the cards they girls were playing with. Priceless!

    Abby: A strip poker shoot had been on the cards for a long time, and it sounds like such a good idea. As, anyone who has played it against a bevy of young female backpackers will know, there's plenty of, er, opportunities. Especially if you know how to play poker.

    Unfortunately, when you actually have the cards, the location, and the models, it's not so easy. In fact, it does not really work at all. So we tried some other card games (snap!, Solitaire, et al), not realising at the time that the problem was not the game, but the premise. There's not much sexy about a girl holding five cards (unless, perhaps, you are a playing-card designer, and don't get out much). So we ditched the idea, and just got them to fool about and smoke some ciggies, which looks fine anyway - two chums relaxing in the dappled shade.

    Ironically, we're now just about to release a Strip21 card game, but a lot more work went into that.

    Elvaar: I think it could have been a great shoot if the girls had played it up and had some fun, but they were both new to this whole thing and didn't really know how to react. And they are both introverted personalities - we needed to get a loudmouth like Susie or Cass in there to stir up the pot.

  • Sat 13th Sep 2003 | Behind the Scenes

    1915 - 1928 Leyla
    Susie:
    Aww, she's lovely too. I love all the Byron girls the best! They have the best tans, and cute little dreadlocks. It was so hard trying to get the damn cat suit to do up, the zip was broken, but we really wanted to use it. One of the only girls I've seen who make cat suits look good!

    Abby: Leyla was the first model we shot in this new town, it was a Friday night, the mozzies were biting, and the sun was setting real fast, Despite the shittyness of the flash, this set turned out ok, even though it's technically a little under. Leyla was a trooper and endured many bits for this shoot.

    1929 - 1935 Emily (first surf shoot)
    Susie:
    The surfing shoot! Emily bought along her own board and actually managed to catch a couple of waves nude, what a top chick! She thought it was hilarious, we all had the best time!

    Abby: We had been wanting to do a beach shoot at sunset for a long time, and we finally got the chance. Emily had the board with her when she came for her shoot, and the time was right. She showed us what we thought was going to be an isolated surfing beach, but it actually turned out to be pretty populated. She said she'd never do this on her own, but having a photographer, videographer, and assistant on the scene lent it all an air of legitimacy that made her feel comfy. I for one am glad we could be of assistance!

    Elvaar: Yeah, Emily was the real archetypal surfie chick, and turned up in a clapped-out old station wagon, out of rego but full of sand and KFC wrappers. I think she had an exhibitionist's streak in her and really dug the whole escapade. She was kind of shy for the video and I'd like to have got some good shots of her on the board - she was very co-operative but the surf wasn't. All the other surfies gathered around to lend some authenticity to the scene - thanks guys, but we had a beach and a pretty naked girl, that's all we needed!

    1936 - 1959 Leyla and Georgia (and Susie and Gretchen)
    Susie:
    This was sooo much fun! Gretchen and I were cracking up the whole time, and so were the girls but Abby was trying to make us keep straight faces, which just made it worse!! I think the idea for the shoot was Elvaar's, and we all loved it straight away. Lucky we could find two cool chicks to do it with.

    Abby: Little did Susie know, but her and Gretchen were strictly eye-candy, and not part of the master plan. But that's ok. Like most of these shoots, we started (well, Elvaar started) with a germ of an idea - body painting - and we all ran with it. It quickly grew into a massive production, with hair and makeup crew required, and a props department. We scattered and reconvened a few hours later, and this shoot was the result. Ever-enthusiastic to introduce a liquid element into a shoot, Elvaar suggested they have a shower to clean up, and luckily our beach house came with an outdoor shower. The sunset garden frolic was a given.

    Elvaar: That paint is freaky stuff, like latex, and it was clogging the shower drain for the rest of our stay there, not to mention the patio which we never did quite clean up. The girls were a bit bemused at the idea at first but once they got those brushes out their inner girlies took over and it was like going back to kinder. You'll notice a lot of gadget-girl Abby's grips apparatus in these shots - why get somebody to hold something when you can spend half an hour constructing a heath-robinson to do it for you?

    1960 - 1970 Kaye
    Susie:
    Average. Very average. This shoot is all Elvaar's fault though he won't admit it. He thought she was lovely, Abby and I felt very differently. And still do.

    Abby: Me too. I did not like Kaye at all. She was grumpy and annoying.

    Elvaar: She was no less annoying than Abby is when you put a fingerprint on her monitor. A bit delusional, sure, but we get a few of those. I thought she was quite pretty and had a nice figure.

    1971 - 1989 Rachel
    Susie:
    This lovely young lady did this awesome shoot on the hammock with us, then as she was leaving all her friends came over to pick her up. They were all gorgeous! (And all very young!) We were all excited but they declined their services unfortunately... ah well, it's their loss!

    Abby: This premise was Elvaar's idea, and like pretty much all of his, it was a good one. The problem was, she is the wrong model for it. Rachel has these arresting blue eyes that beg to be looking at the camera. Shooting in a hammock presented more difficulties than we anticipated, as well, for angles. I think we should tackle this location again.

    Elvaar: Another one of those "seemed like a good idea at the time" but because the hammock hugs the body contours it's more restrictive than anything else, and I don't think she was the right girl for it.

    1990 - 2000 Lizzie
    Susie:
    Lizzie is so beautiful! She has the best tan EVER!

    Abby: Lizzie ended up being a great friend of ours. She and Felicity met Cass by the kind of accident that can only have when you're backpacking around a country like Australia, and mentioned us. Lizzie and Felicity were curious, and came to meet us (and thus, Cass's first referral - we offer a cash incentive to models we shoot to refer their friends). Lizzie, next to Susie, is the most photographed model on this site.

    A few months after Cass started, Lizzie moved in, and then started working for us. She was invaluable in many areas, and drove the boat on our recent river shoots (and cooked lunch to boot!). Lizzie is now in NZ terrorizing Kiwi boys. :)

    Elvaar: Mmm lizzie...she's one of those quiet girls who lets you think there's not much going on inside, then she'll come out with something witty and insightful that makes everyone laugh. This might be hard to believe, but she actually isn't very photogenic - none of the pictures on the site do justice to her gorgeousness.

    2001 - 2013 - Lizzie and Felicity
    Susie:
    Lizzie brought along the darling Felicity too, what a bonus eh? Lizzie liked working with us so much she has just recently done an explicit shoot. And while you are looking at theses photos, check out the cards they girls were playing with. Priceless!

    Abby: A strip poker shoot had been on the cards for a long time, and it sounds like such a good idea. As, anyone who has played it against a bevy of young female backpackers will know, there's plenty of, er, opportunities. Especially if you know how to play poker.

    Unfortunately, when you actually have the cards, the location, and the models, it's not so easy. In fact, it does not really work at all. So we tried some other card games (snap!, Solitaire, et al), not realising at the time that the problem was not the game, but the premise. There's not much sexy about a girl holding five cards (unless, perhaps, you are a playing-card designer, and don't get out much). So we ditched the idea, and just got them to fool about and smoke some ciggies, which looks fine anyway - two chums relaxing in the dappled shade.

    Ironically, we're now just about to release a Strip21 card game, but a lot more work went into that.

    Elvaar: I think it could have been a great shoot if the girls had played it up and had some fun, but they were both new to this whole thing and didn't really know how to react. And they are both introverted personalities - we needed to get a loudmouth like Susie or Cass in there to stir up the pot.

  • Sat 06th Sep 2003 | Behind the Scenes

    1813 - 1823 Cass / Gretchen
    Susie:
    I had to hold the hose for HOURS!! But hey, it looks cool so what the hell. Cass is my all-time favorite model. She's a goddamn hottie and one of the best chicks I've ever met. Go Cass!

    Abby: The weather being so nice, Elvaar suggested we use the hose on Cass (actually, the weather does not have to be nice for Elvaar to use THAT apparatus). Luckily Cass is a top chick (so tops what we gave her a full time job a few months later!), and had a ball with this shoot. The camera got a little wet, but that's ok, it has rubber sea lions. I mean, seals. Gretchen was forever larking about at the edge of shoots, and being helpful where she could.

    Elvaar: I deny the hose was my idea this time though I admit it's a good way of dealing with a model who talks too much. Gretchen is a good ol' country gal who can't resist getting under the hose on a hot day while Susie is just a sadist. Mind you, she owed us a few hosings.

    1824 - 1864 Lex
    Susie:
    Well, what can I say? For those of you that have Gold section access you would have seen (um, and heard!) the fanny fart extravaganza that was Lex. I thought it was gross.

    Abby: Lex was a very sexual person, and she really floated mine and Elvaar's boat... until she started doing fanny farts. It's hard to look at someone the same way, after that. To be fair, we did ask her if she had any party tricks, and played it cool until we wheedled it out of her what she could do.

    Elvaar: I think, Abby, you have a somewhat romantic memory of this escapade! She was very sultry, that's true, and the spider bite story was cool but the fanny farts put a lid on it for me. Susie's just jealous cos she doesn't have the apparatus to do them herself - it takes a special, er, anatomy. But Lex was a great chick to shoot, laid back and fun. That's my book by the way. It's a chillingly accurate commentary on the male psyche. Don't ever let your wife/gf/partner read it.

    1865 - 1823 Kaya
    Susie:
    Ooh, she had sooo much pubic hair. I don't think I've ever seen so much in my life. Nice girl, VERY flexible. She'd be great in bed!

    Abby: We had a great time with Kaya, as she is so damn flexible. As you'll see in the stills shoots, we did a lot of stop-motion stuff, that I am really pleased with.

    1824 - 1892 Sonia
    Abby:
    Sonia was one of those quiet and agreeable types who did not have much to say, but verified that they were indeed bush turkeys wandering through the garden of our rented home. Good to know.

    Elvaar: Sonia was great, a really nice down to earth country chick who grew up not far from Gretchen as it happens. She didn't really understand why anyone would want to see her undress against such a pretty background. Apparently she has never seen a mirror.

    1893 - 1905 Anna
    Susie:
    Hot! Hot! Hot! The very last shoot we did in Byron, half of the equipment was packed up and Abby and I had a ten hour drive in front of us, but when Anna walked in we had to shoot her! She has such a gorgeous body, and her hair is so long and nice! Cool necklace too. Her boyfriend was a dickhead though.

    Abby: Her boyf was a worry, but nevertheless, she is spunky. This is one of the last shoots we did with the crappiest piece of gear that Canon ever made, the 550ex flash. To get the fore and backgrounds exposed correctly, they cannot be orders of magnitude different in brightness, so I had to use a fill flash for this shoot, but it's still under-exposed, unfortunately.

    1906 - 1914 Mez Heather
    Susie:
    Well, this shoot is in the mezzanine section. She's just got a really big nose that's all, but she's also got a really big heart (1,2,3 awww).

    Abby: Heather was nice and all, but she was not right for the main area of the site. The swing idea seems like such a good one, but we have tried it several times, and it has never really worked out. Most recently with Lillian.

    Elvaar: She's much prettier than the camera makes out. You'd think that a short skirt and a swing was a good recipe for some candid shots, wouldn't you? Try it someday, it's not as easy as it looks.

  • Sat 06th Sep 2003 | Behind the Scenes

    1813 - 1823 Cass / Gretchen
    Susie:
    I had to hold the hose for HOURS!! But hey, it looks cool so what the hell. Cass is my all-time favorite model. She's a goddamn hottie and one of the best chicks I've ever met. Go Cass!

    Abby: The weather being so nice, Elvaar suggested we use the hose on Cass (actually, the weather does not have to be nice for Elvaar to use THAT apparatus). Luckily Cass is a top chick (so tops what we gave her a full time job a few months later!), and had a ball with this shoot. The camera got a little wet, but that's ok, it has rubber sea lions. I mean, seals. Gretchen was forever larking about at the edge of shoots, and being helpful where she could.

    Elvaar: I deny the hose was my idea this time though I admit it's a good way of dealing with a model who talks too much. Gretchen is a good ol' country gal who can't resist getting under the hose on a hot day while Susie is just a sadist. Mind you, she owed us a few hosings.

    1824 - 1864 Lex
    Susie:
    Well, what can I say? For those of you that have Gold section access you would have seen (um, and heard!) the fanny fart extravaganza that was Lex. I thought it was gross.

    Abby: Lex was a very sexual person, and she really floated mine and Elvaar's boat... until she started doing fanny farts. It's hard to look at someone the same way, after that. To be fair, we did ask her if she had any party tricks, and played it cool until we wheedled it out of her what she could do.

    Elvaar: I think, Abby, you have a somewhat romantic memory of this escapade! She was very sultry, that's true, and the spider bite story was cool but the fanny farts put a lid on it for me. Susie's just jealous cos she doesn't have the apparatus to do them herself - it takes a special, er, anatomy. But Lex was a great chick to shoot, laid back and fun. That's my book by the way. It's a chillingly accurate commentary on the male psyche. Don't ever let your wife/gf/partner read it.

    1865 - 1823 Kaya
    Susie:
    Ooh, she had sooo much pubic hair. I don't think I've ever seen so much in my life. Nice girl, VERY flexible. She'd be great in bed!

    Abby: We had a great time with Kaya, as she is so damn flexible. As you'll see in the stills shoots, we did a lot of stop-motion stuff, that I am really pleased with.

    1824 - 1892 Sonia
    Abby:
    Sonia was one of those quiet and agreeable types who did not have much to say, but verified that they were indeed bush turkeys wandering through the garden of our rented home. Good to know.

    Elvaar: Sonia was great, a really nice down to earth country chick who grew up not far from Gretchen as it happens. She didn't really understand why anyone would want to see her undress against such a pretty background. Apparently she has never seen a mirror.

    1893 - 1905 Anna
    Susie:
    Hot! Hot! Hot! The very last shoot we did in Byron, half of the equipment was packed up and Abby and I had a ten hour drive in front of us, but when Anna walked in we had to shoot her! She has such a gorgeous body, and her hair is so long and nice! Cool necklace too. Her boyfriend was a dickhead though.

    Abby: Her boyf was a worry, but nevertheless, she is spunky. This is one of the last shoots we did with the crappiest piece of gear that Canon ever made, the 550ex flash. To get the fore and backgrounds exposed correctly, they cannot be orders of magnitude different in brightness, so I had to use a fill flash for this shoot, but it's still under-exposed, unfortunately.

    1906 - 1914 Mez Heather
    Susie:
    Well, this shoot is in the mezzanine section. She's just got a really big nose that's all, but she's also got a really big heart (1,2,3 awww).

    Abby: Heather was nice and all, but she was not right for the main area of the site. The swing idea seems like such a good one, but we have tried it several times, and it has never really worked out. Most recently with Lillian.

    Elvaar: She's much prettier than the camera makes out. You'd think that a short skirt and a swing was a good recipe for some candid shots, wouldn't you? Try it someday, it's not as easy as it looks.

  • Sat 21st Jun 2003 | Behind the Scenes

    1709-1735 Amanda and Annalise
    Elvaar: After the success of the somewhat candid 'performance' by Susie and Nikki (there was no performing going on at all, we later realised) we decided that a good girl-girl sequence was much more about passion than what the girls look like. So we invited 5 Abby girls around for an afternoon of fun and frivolity then asked them all to write down on a secret ballot the name of the girl they'd most like to shag. The only two-way match came from these two so we set up our cameras and gave them the most basic of instructions - 'just have a good time and get right into it'. Sounds like a simple recipe - but then so does making toast, and how often we burn it. We did some good stills but unfortunately the video is a little more Thespian than lesbian.

    1736-1744 Haley Redux
    Haley is one of those really quiet, easy going girls we love to photograph. She was chuffed to be invited back and we were pleased to see her skin had apparently not been impinged upon by a single photon since the previous shoot. Ah, alabaster, thy glow does warm the heart of my cockles.

    1745-1789 Rural NSW, incl. Susie, Gretchen, Serena
    One of the lurks of working for Abby Winters is that she's all for trying new things (except food). So when somebody said "hey I've got an idea, lets pack the gear up and set off to, say, a beautiful seaside town and see if we can get some chicks to shoot?" Abby was easily swayed. It was Autumn and we were staring at 5 months of shivery so we thought, beachy is peachy, and we headed north to Byron Bay. Well we weren't disappointed - no shortage of locations and pretty girls. Susie was in charge of recruitment, with Serena assisting and Gretchen, well she was freeloading nut we don't mind one bit because Gretchen is cool, and funny.

    1790-1802 Susie beach
    We had just finished shooting somebody on a long stretch of deserted beach late one afternoon when a full moon started to rise and make an eerie late afternoon light. Susie had kept her clothes on for, oh, days, and we knew it was only a matter of time before this would happen. She took off down to the beach in a gallop, ripping her gear off along the way in a very Sports Illustrated way, as only Susie can do.

    1803-1812 Petra train tracks
    Petra was a big departure for Abby and especially, from the style of shoots we'd been doing on this trip. We invited her down from a northern capital on the strength of just a few sample shots, something which had backfired on us once before but this time we were totally arrested by what we saw that morning she arrived. Given her smouldering looks and beautiful pearly complexion, the beach was out so we decamped to a nearby railway line to get some rusty juxtaposition to her pristine organic form (that's arty talk, you probably won't understand - that's why we're here and you're there.) The tracks were stinking hot so you might see her wincing as she sits down the first time. And I'm not sure if the shots made it into the set but in the distance you might see a car stopped on the level crossing for an extraordinary amount of time - Petra didn't mind, and we didn't mind, because the sound of mangling metal would have given us handy warning of an approaching train.

    We're sorry about the boots, they don't suit the girl or the location, but that's all she had. We're not one bit sorry about Petra though.

  • Sat 21st Jun 2003 | Behind the Scenes

    1709-1735 Amanda and Annalise
    Elvaar: After the success of the somewhat candid 'performance' by Susie and Nikki (there was no performing going on at all, we later realised) we decided that a good girl-girl sequence was much more about passion than what the girls look like. So we invited 5 Abby girls around for an afternoon of fun and frivolity then asked them all to write down on a secret ballot the name of the girl they'd most like to shag. The only two-way match came from these two so we set up our cameras and gave them the most basic of instructions - 'just have a good time and get right into it'. Sounds like a simple recipe - but then so does making toast, and how often we burn it. We did some good stills but unfortunately the video is a little more Thespian than lesbian.

    1736-1744 Haley Redux
    Haley is one of those really quiet, easy going girls we love to photograph. She was chuffed to be invited back and we were pleased to see her skin had apparently not been impinged upon by a single photon since the previous shoot. Ah, alabaster, thy glow does warm the heart of my cockles.

    1745-1789 Rural NSW, incl. Susie, Gretchen, Serena
    One of the lurks of working for Abby Winters is that she's all for trying new things (except food). So when somebody said "hey I've got an idea, lets pack the gear up and set off to, say, a beautiful seaside town and see if we can get some chicks to shoot?" Abby was easily swayed. It was Autumn and we were staring at 5 months of shivery so we thought, beachy is peachy, and we headed north to Byron Bay. Well we weren't disappointed - no shortage of locations and pretty girls. Susie was in charge of recruitment, with Serena assisting and Gretchen, well she was freeloading nut we don't mind one bit because Gretchen is cool, and funny.

    1790-1802 Susie beach
    We had just finished shooting somebody on a long stretch of deserted beach late one afternoon when a full moon started to rise and make an eerie late afternoon light. Susie had kept her clothes on for, oh, days, and we knew it was only a matter of time before this would happen. She took off down to the beach in a gallop, ripping her gear off along the way in a very Sports Illustrated way, as only Susie can do.

    1803-1812 Petra train tracks
    Petra was a big departure for Abby and especially, from the style of shoots we'd been doing on this trip. We invited her down from a northern capital on the strength of just a few sample shots, something which had backfired on us once before but this time we were totally arrested by what we saw that morning she arrived. Given her smouldering looks and beautiful pearly complexion, the beach was out so we decamped to a nearby railway line to get some rusty juxtaposition to her pristine organic form (that's arty talk, you probably won't understand - that's why we're here and you're there.) The tracks were stinking hot so you might see her wincing as she sits down the first time. And I'm not sure if the shots made it into the set but in the distance you might see a car stopped on the level crossing for an extraordinary amount of time - Petra didn't mind, and we didn't mind, because the sound of mangling metal would have given us handy warning of an approaching train.

    We're sorry about the boots, they don't suit the girl or the location, but that's all she had. We're not one bit sorry about Petra though.

  • Sat 14th Jun 2003 | Behind the Scenes

    1591-1623 Girls Night Out
    Elvaar:This is the 'set' for the filming of Girls' Night Out. We decided to take the girls out dancing to get everyone warmed up and of course, champagne is mandatory for such occasions. Ever had trouble getting into the city's hippest club? Try calling ahead and telling them you have a bunch of models coming in, and it's express all the way to the dance floor. Around midnight we returned to start filming after dropping Danny and Gretchen off at a local dance club with strict instructions not to disturb us until 3AM. Of course two girls and a drink tab conspire to make mischief and the rest is a story for another time.

    1624-1670 Susie & Melissa
    Since we had this cool setup with the convenience of lots of lights we figured we'd do another quick shoot, a sort of rehearsal for GNO. It was stinking hot and there's that jet powered air conditioner again. Predictably Suzie would rather clown around than have hot sex while Melissa was becoming most enamoured by Suzie. Nothing like a romp under the sprinkler to cool down on a hot day and of course where naked girls go, Abby's camera follows.

    1671-1679 Takiyah
    What an amazing girl this one was. Unfortunately there was a language problem and she couldn't understand our directions so we fell back on that old fave, the garden hose. OK so the creative well was running a bit low that day, so low in fact that not even a woman of such statuesque beauty could save us, and this shoot was filed up the back of the vault.

    1680-1686 Tara
    Tara is nice.

    1687-1708 Zan
    Zan is a total urban animal, a sort of hippypunksk8rchyk. Check out that hat - her own clever creation comprising a beanie, some socks and two postal rubber bands. She didn't talk much except to tell us about a recent breakup with her girlfriend but wasn't shy in taking Danny out to shoot some pool, and...stuff.

  • Sat 14th Jun 2003 | Behind the Scenes

    1591-1623 Girls Night Out
    Elvaar:This is the 'set' for the filming of Girls' Night Out. We decided to take the girls out dancing to get everyone warmed up and of course, champagne is mandatory for such occasions. Ever had trouble getting into the city's hippest club? Try calling ahead and telling them you have a bunch of models coming in, and it's express all the way to the dance floor. Around midnight we returned to start filming after dropping Danny and Gretchen off at a local dance club with strict instructions not to disturb us until 3AM. Of course two girls and a drink tab conspire to make mischief and the rest is a story for another time.

    1624-1670 Susie & Melissa
    Since we had this cool setup with the convenience of lots of lights we figured we'd do another quick shoot, a sort of rehearsal for GNO. It was stinking hot and there's that jet powered air conditioner again. Predictably Suzie would rather clown around than have hot sex while Melissa was becoming most enamoured by Suzie. Nothing like a romp under the sprinkler to cool down on a hot day and of course where naked girls go, Abby's camera follows.

    1671-1679 Takiyah
    What an amazing girl this one was. Unfortunately there was a language problem and she couldn't understand our directions so we fell back on that old fave, the garden hose. OK so the creative well was running a bit low that day, so low in fact that not even a woman of such statuesque beauty could save us, and this shoot was filed up the back of the vault.

    1680-1686 Tara
    Tara is nice.

    1687-1708 Zan
    Zan is a total urban animal, a sort of hippypunksk8rchyk. Check out that hat - her own clever creation comprising a beanie, some socks and two postal rubber bands. She didn't talk much except to tell us about a recent breakup with her girlfriend but wasn't shy in taking Danny out to shoot some pool, and...stuff.

  • Fri 16th May 2003 | Behind the Scenes

    1491 - 1528, Sally Redux
    Elvaar:
    This was the first time we shot Sally at home and we were surprised to find the smiling face of Jesus in her front window. Sally is full of contradictions - into natural and healthy stuff, but then as you'll see from this set, likes to bake at the tanning salon. She owns her own apartment in the outer 'burbs and had just finished painting it up when we arrived. She had so many cute clothes we couldn't decide what she should wear so we shot her trying on all her undies, which turned out to be such fun we've done it again....and again, and again. But really, who could ever tire of a personal tour of a teenager's undies drawer? But the best thing about Sally is her sunny disposition - she never, ever stops smiling and laughing. In picture 1528 you can see her writing a special message to a loyal Abby subscriber - there you go, we look after our members!

    1529 - 1540 Sanne
    Elvaar:
    Sanne is a total knockout. And incidentally, we made a boo-boo with her age - she's actually 21. I don't know whether it comes through in the pictures but she has a very Bardot-like presence (and I mean the immortally beautiful French actress, not the soppy Australian TV-made band). I regret that we didn't do something softer with Sanne, perhaps a bed shoot (she's what I would call a classic mattress-moppet) but this shoot was in the thick of a whole bunch and we were struggling for creative energy, not to mention new locations. Danny keeps smiling as always.

    1541 - 1557 Sarah
    Elvaar:
    Never have we struggled to illicit some personality from a model like we did this day, I'm afraid to say. Those of you who know our Pretty Girl theory (a thesis-in-progress from the alumni of the AW college of chickery) may be interested to know that Sarah was the inspiration of some of our early research. A lovely girl though, and we finally found out she's a keen gym patron so we got her to run through some of her routine and it came up very well on camera.

    1558 - 1590 Susie/Melissa GNO prep
    Elvaar:
    Melissa had just flown down from the tropical climes of the far north for the Girls Night Out movie and we thought we'd warm them up - or rather, cool them down - with a bit of backyard fun. We gave them the instructions for strip-skip, a game we'd tried out with three gorgeous girls a few weeks before, but unfortunately couldn't use the shoot because of some sloppy paperwork. The hose wasn't in the script, at least not as far as they knew, but if you've hung around AW.com for a while you'll know that Susie's fire needs regular dousing or she gets totally out of control. The reason her mouth is open in every shot is she never shuts up. We miss Susie like the Dickens, as my grandma would say.

    Girls Night Out is due to be released in June 2003.
  • Fri 16th May 2003 | Behind the Scenes

    1491 - 1528, Sally Redux
    Elvaar:
    This was the first time we shot Sally at home and we were surprised to find the smiling face of Jesus in her front window. Sally is full of contradictions - into natural and healthy stuff, but then as you'll see from this set, likes to bake at the tanning salon. She owns her own apartment in the outer 'burbs and had just finished painting it up when we arrived. She had so many cute clothes we couldn't decide what she should wear so we shot her trying on all her undies, which turned out to be such fun we've done it again....and again, and again. But really, who could ever tire of a personal tour of a teenager's undies drawer? But the best thing about Sally is her sunny disposition - she never, ever stops smiling and laughing. In picture 1528 you can see her writing a special message to a loyal Abby subscriber - there you go, we look after our members!

    1529 - 1540 Sanne
    Elvaar:
    Sanne is a total knockout. And incidentally, we made a boo-boo with her age - she's actually 21. I don't know whether it comes through in the pictures but she has a very Bardot-like presence (and I mean the immortally beautiful French actress, not the soppy Australian TV-made band). I regret that we didn't do something softer with Sanne, perhaps a bed shoot (she's what I would call a classic mattress-moppet) but this shoot was in the thick of a whole bunch and we were struggling for creative energy, not to mention new locations. Danny keeps smiling as always.

    1541 - 1557 Sarah
    Elvaar:
    Never have we struggled to illicit some personality from a model like we did this day, I'm afraid to say. Those of you who know our Pretty Girl theory (a thesis-in-progress from the alumni of the AW college of chickery) may be interested to know that Sarah was the inspiration of some of our early research. A lovely girl though, and we finally found out she's a keen gym patron so we got her to run through some of her routine and it came up very well on camera.

    1558 - 1590 Susie/Melissa GNO prep
    Elvaar:
    Melissa had just flown down from the tropical climes of the far north for the Girls Night Out movie and we thought we'd warm them up - or rather, cool them down - with a bit of backyard fun. We gave them the instructions for strip-skip, a game we'd tried out with three gorgeous girls a few weeks before, but unfortunately couldn't use the shoot because of some sloppy paperwork. The hose wasn't in the script, at least not as far as they knew, but if you've hung around AW.com for a while you'll know that Susie's fire needs regular dousing or she gets totally out of control. The reason her mouth is open in every shot is she never shuts up. We miss Susie like the Dickens, as my grandma would say.

    Girls Night Out is due to be released in June 2003.
  • Sat 05th Apr 2003 | Behind the Scenes

    1375 - 1381, Mianna
    Elvaar: I don't think I've ever met anyone as relaxed about getting naked as Mianna. She's like a standup comic on speed, yabbering incessantly about football (the proper kind, where you actually apply the foot to the ball) and sex and, well, anything at all. I don't know what possessed us to dress her in virginal white for an outdoors shoot, must have been her angelic disposition! Not.

    Abby: Yes, this white getup caused non-stop problems for me... I just could not get it exposed correctly (white's hard like that - you want it to show up as white on film, but you still want to see detail in it, a tricky balance). In fact, I dicked around with the exposure so long, that I only had time to do a very short shoot with Mianna, cos then Joanne arrived, and we shot their landmark GG scene.

    1382 - 1395, Michelle
    Elvaar: From Mianna to Michelle is like switching from Mork to Mindy. She seemed too delicate to plant in the garden like a pretty shrub so we produced a lovely soft sheepskin to protect her bum from the pernicious garden pests, but what we didn't notice 'til the end of the shoot was the rug itself, having been stored in the shed for several months, had been infested with tiny bugs and verily disintegrated as we gathered it up. Dont worry, we drove Michelle through the sheep dip after the shoot...no, really.

    You'll notice Danny popping up frequently in these pics, holding her special Nakediser. It works a treat. And her cue card, which we use to shut up models like Mianna - 'just read the card honey, nothing else'.

    Abby: Michelle was the first model we shot on that trip to Melbourne in January 2002. She was also one of the best. Like so many models, she moves around a lot, and despite repeated attempts to find her for another shoot, we cannot. But that's ok, cos even though I used the shittest piece of hardware Canon ever made (550ex camera mounted flash) the shoot turned out great. Like Briana's shoot a year later, the low contrast auto setting results in a boring shoot technically. Luckily, the model makes all the diff, eh?

    That's onetime assistant Serena holding the fleccy board.

    1396 - 1410, Michelle and Ginny
    It was freezing the day Michelle did her thing on the sheepskin but by the time we got to a duet with Ginny a few days later it was stinking hot again and that room was like a sauna once they started wrestling. Ginny is one of those quiet, co-operative girls who sets about her work conscientiously but youre never sure whats going on inside her head. It could equally have been 'god this girl is hot, and to think Im being PAID to do this' or 'shit, I forgot to tape Buffy tonight.'

    Abby: The first set of flash gear I ever bought were used for the first time on these shoots in Melbourne. Until that time I had been using 'hot lights', more often used in film, TV, and theatre (I have a theatre lighting background, so using those lights was a natural extension for me).

    I spent a fair bit of money on them, but what I did not count on was them not being up to the task. With hot lights, I had been able to snap happily away as much as I wanted, but with flash heads, the more you snap, the hotter they get... until they overheat, and then shut down for 20 minutes 'til they cool down. In a shoot of one model, this is annoying but not disastrous. But in a GG shoot, it's a big problem - as soon as the models get into it, the lights fail, and we take a 20 minute break.

    This happened at least three times in this shoot, and I was so damn angry with the gear, it's all I remember. Now, of course, I have kickarse flash gear, that can do about 80 frames a minute all day long (not that i need to shoot that much, but it's nice to have some overhead).

    1413 - 1419, Ming
    Abby:
    I don't remember anything about this shoot! Oh my god. I am forgetting shoots! I am only young, too young to start forgetting things like this! :( Sorry Ming.

    1420 - 1452, Nadia
    Elvaar:
    Ahhh, Nadia. Nadia is very, very classy and loads of fun. I can even let you into a secret Abby is hot for Nadia. Here, she spends a rainy day playing with the furniture. She doesn't look too comfortable on the wavy chair and we nearly gave up on the pointy chair, as she was about the fifth model we'd attempted to decorate it with, but she worked out without much difficulty how to make it look elegant. The chair. Im talking about the chair. LOOK AT THE CHAIR.

    Abby: Elvaar, Shhh. Nadia is a babe, and yes, I do like her. I am ever so proud of the lighting in this set - note how there are very few reflections on that glass (well, in the actual shoot - there are plenty here in backstage, of course)? Hard to do! Also, to get the rain-soaked trees correctly exposed, while Nadia herself being a little brighter...

    1454 - 1490, Phoebe
    Elvaar
    : Phoebe is another quiet one. Abby had had a bad day and Phoebe was about a zillion hours late, again, so we threw her in the deep end - put some gutshaking doof-doof on the stereo and asked her to dance for the video. The outcome made awful viewing but it loosened her up and this shoot on the bed (from which we coined the phrase mattress moppet) was one of the best we've done, I think. We wrote about it somewhere else I'm sure, but I'll repeat that the most memorable aspect of that night was the delightful aroma which followed Phoebe. I think we made a mistake with her hair though, it looked so cool before she plaited it. She's sort of like a bleached Wednesday Addams.

    Abby: You'll note in this shoot, that the 'quality' changes? I used to take a bunch of stills during the shooting of video, and to do that, had to increase the ISO on the camera up to 1600 (ie, really sensitive). I dont do that any more, cos my camera makes a huge racket, and stresses out VidDude no end (he has to edit out each shutter sound!).

    Phoebe unfortunately felt the need to shave her bum cheeks and even her knee caps, which resulted in that ugly rash all over. We usually ask models not to shave, to avoid rash (a bit of regrowth is preferable to rash, IOO).

  • Sat 05th Apr 2003 | Behind the Scenes

    1375 - 1381, Mianna
    Elvaar: I don't think I've ever met anyone as relaxed about getting naked as Mianna. She's like a standup comic on speed, yabbering incessantly about football (the proper kind, where you actually apply the foot to the ball) and sex and, well, anything at all. I don't know what possessed us to dress her in virginal white for an outdoors shoot, must have been her angelic disposition! Not.

    Abby: Yes, this white getup caused non-stop problems for me... I just could not get it exposed correctly (white's hard like that - you want it to show up as white on film, but you still want to see detail in it, a tricky balance). In fact, I dicked around with the exposure so long, that I only had time to do a very short shoot with Mianna, cos then Joanne arrived, and we shot their landmark GG scene.

    1382 - 1395, Michelle
    Elvaar: From Mianna to Michelle is like switching from Mork to Mindy. She seemed too delicate to plant in the garden like a pretty shrub so we produced a lovely soft sheepskin to protect her bum from the pernicious garden pests, but what we didn't notice 'til the end of the shoot was the rug itself, having been stored in the shed for several months, had been infested with tiny bugs and verily disintegrated as we gathered it up. Dont worry, we drove Michelle through the sheep dip after the shoot...no, really.

    You'll notice Danny popping up frequently in these pics, holding her special Nakediser. It works a treat. And her cue card, which we use to shut up models like Mianna - 'just read the card honey, nothing else'.

    Abby: Michelle was the first model we shot on that trip to Melbourne in January 2002. She was also one of the best. Like so many models, she moves around a lot, and despite repeated attempts to find her for another shoot, we cannot. But that's ok, cos even though I used the shittest piece of hardware Canon ever made (550ex camera mounted flash) the shoot turned out great. Like Briana's shoot a year later, the low contrast auto setting results in a boring shoot technically. Luckily, the model makes all the diff, eh?

    That's onetime assistant Serena holding the fleccy board.

    1396 - 1410, Michelle and Ginny
    It was freezing the day Michelle did her thing on the sheepskin but by the time we got to a duet with Ginny a few days later it was stinking hot again and that room was like a sauna once they started wrestling. Ginny is one of those quiet, co-operative girls who sets about her work conscientiously but youre never sure whats going on inside her head. It could equally have been 'god this girl is hot, and to think Im being PAID to do this' or 'shit, I forgot to tape Buffy tonight.'

    Abby: The first set of flash gear I ever bought were used for the first time on these shoots in Melbourne. Until that time I had been using 'hot lights', more often used in film, TV, and theatre (I have a theatre lighting background, so using those lights was a natural extension for me).

    I spent a fair bit of money on them, but what I did not count on was them not being up to the task. With hot lights, I had been able to snap happily away as much as I wanted, but with flash heads, the more you snap, the hotter they get... until they overheat, and then shut down for 20 minutes 'til they cool down. In a shoot of one model, this is annoying but not disastrous. But in a GG shoot, it's a big problem - as soon as the models get into it, the lights fail, and we take a 20 minute break.

    This happened at least three times in this shoot, and I was so damn angry with the gear, it's all I remember. Now, of course, I have kickarse flash gear, that can do about 80 frames a minute all day long (not that i need to shoot that much, but it's nice to have some overhead).

    1413 - 1419, Ming
    Abby:
    I don't remember anything about this shoot! Oh my god. I am forgetting shoots! I am only young, too young to start forgetting things like this! :( Sorry Ming.

    1420 - 1452, Nadia
    Elvaar:
    Ahhh, Nadia. Nadia is very, very classy and loads of fun. I can even let you into a secret Abby is hot for Nadia. Here, she spends a rainy day playing with the furniture. She doesn't look too comfortable on the wavy chair and we nearly gave up on the pointy chair, as she was about the fifth model we'd attempted to decorate it with, but she worked out without much difficulty how to make it look elegant. The chair. Im talking about the chair. LOOK AT THE CHAIR.

    Abby: Elvaar, Shhh. Nadia is a babe, and yes, I do like her. I am ever so proud of the lighting in this set - note how there are very few reflections on that glass (well, in the actual shoot - there are plenty here in backstage, of course)? Hard to do! Also, to get the rain-soaked trees correctly exposed, while Nadia herself being a little brighter...

    1454 - 1490, Phoebe
    Elvaar
    : Phoebe is another quiet one. Abby had had a bad day and Phoebe was about a zillion hours late, again, so we threw her in the deep end - put some gutshaking doof-doof on the stereo and asked her to dance for the video. The outcome made awful viewing but it loosened her up and this shoot on the bed (from which we coined the phrase mattress moppet) was one of the best we've done, I think. We wrote about it somewhere else I'm sure, but I'll repeat that the most memorable aspect of that night was the delightful aroma which followed Phoebe. I think we made a mistake with her hair though, it looked so cool before she plaited it. She's sort of like a bleached Wednesday Addams.

    Abby: You'll note in this shoot, that the 'quality' changes? I used to take a bunch of stills during the shooting of video, and to do that, had to increase the ISO on the camera up to 1600 (ie, really sensitive). I dont do that any more, cos my camera makes a huge racket, and stresses out VidDude no end (he has to edit out each shutter sound!).

    Phoebe unfortunately felt the need to shave her bum cheeks and even her knee caps, which resulted in that ugly rash all over. We usually ask models not to shave, to avoid rash (a bit of regrowth is preferable to rash, IOO).

  • Sat 18th Jan 2003 | Behind the Scenes

    1233 - 1239 Li
    Abby:
    Li was a quiet one, but we don't mind that. Her and her braces were welcome, but she was very nervy at her 9am eeek! shoot, so she asked for a drink to help her relax. Unfortunately, that made her face go all red, but like her braces, we can live with a bit of a blush. Of course, that's Danny doing the height comparison, looking - as always - fresh as a daisy unlike Elvaar and I on those early starts... in fact, Elvaar was still in bed when we finished this shoot.

    Elvaar: Of course I was in bed. There are only two things which get me out of bed before 11AM and nekkid chyx ain't even one of them.

    Abby: Any more.

    1240 - 1261 Lux Redux
    Elvaar:
    Lux was the first, and pretty much only, model I ever shot myself, and Abby couldn't wait to get her back and fix my mistakes. Lux is cool, really easy going, but concentrates hard on her poses and forgets to smile. It's not that she's not happy - she just wants to get it right. Unfortunately an day drinking beer in the sun made for a rather strange bodily colour scheme, a crime against a beautiful complexion.

    It was quite a long shoot in my garden shed and we made her drink water the whole time in anticipation of the finale, which turned out to be the longest, wettest wee I have ever seen, even in my illustrious drinking career. We packed up shop and let the physics of dry warm weather take care of the mess - it had formed rivers which trickled under everything in the shed - and a year later, the smell of wee is as strong as ever. Or is it the possums roosting in the rafters? Nah, it's Lux.

    Abby: Let it be known that Lux holding the meter up in pic 1243, the meter sez f22 and a half! - that's the smallest possible aperture most cameras can shoot at, and makes the depth of field ie, how much is in focus as deep as possible. That adds to these shots looking awesome. I shot this with my now old Canon D30, and I really like the colour that camera gave. And also on the record, I quite liked Elvaar's initial shoot of Lux, but unfortunatly it had to be withdrawned from the site for legal reasons.

    In 1253, we see how much Lux drank before she could pee and in pics like 1256 and 1258 we can see how distended her belly is!. Great pee shoot, that one. BTW, her tummy is sunburnt cos she fell asleep on a trampoline after an extended mid-morning drinking session. Kids of today, eh?

    1262 - 1374 Melissa Redux
    Elvaar
    : We shot this the afternoon before the evening of Girls Night Out, if I remember correctly - a very, very long day for all concerned.

    Abby: Oh good GOD yes. We'll have some backstage pics from that night soon. Susie for a five minute phone call is enough, but there for THAT long, and... I tire just thinking about it. We love Susie, but she can be a little draining.

    Elvaar: Melissa had worked for Abby in another city but I'd just met her when we did this shoot and she struck me as a really sweet girl, especially with that killer cute lisp. A cool change had just broken a heatwave and you can see the summer rain in the yard, and imagine the humidity. I remember frigging with filters on the video camera to try and get proper exposure with the sun constantly ducking and weaving through the clouds, but in the end I pretty much screwed up the whole thing.

    Melissa made some comment about how she hated those cheap knickers so we said 'well hell hon, how about you tear them right off?' And she did. She really got into this shoot and was particularly fascinated by the view in my deco mirror.

    Abby: In 1282, you can see some CD's from Elvaar's collection - Kylie Minogue, Vanessa Amorossi... ah, he does like his naughties crap-pop sigh Some very sexy frame-by-frame stuff at the end here - download the lot and play them back as a slideshow and watch Mel come alive. Goddamn she is sexy.
  • Sat 18th Jan 2003 | Behind the Scenes

    1233 - 1239 Li
    Abby:
    Li was a quiet one, but we don't mind that. Her and her braces were welcome, but she was very nervy at her 9am eeek! shoot, so she asked for a drink to help her relax. Unfortunately, that made her face go all red, but like her braces, we can live with a bit of a blush. Of course, that's Danny doing the height comparison, looking - as always - fresh as a daisy unlike Elvaar and I on those early starts... in fact, Elvaar was still in bed when we finished this shoot.

    Elvaar: Of course I was in bed. There are only two things which get me out of bed before 11AM and nekkid chyx ain't even one of them.

    Abby: Any more.

    1240 - 1261 Lux Redux
    Elvaar:
    Lux was the first, and pretty much only, model I ever shot myself, and Abby couldn't wait to get her back and fix my mistakes. Lux is cool, really easy going, but concentrates hard on her poses and forgets to smile. It's not that she's not happy - she just wants to get it right. Unfortunately an day drinking beer in the sun made for a rather strange bodily colour scheme, a crime against a beautiful complexion.

    It was quite a long shoot in my garden shed and we made her drink water the whole time in anticipation of the finale, which turned out to be the longest, wettest wee I have ever seen, even in my illustrious drinking career. We packed up shop and let the physics of dry warm weather take care of the mess - it had formed rivers which trickled under everything in the shed - and a year later, the smell of wee is as strong as ever. Or is it the possums roosting in the rafters? Nah, it's Lux.

    Abby: Let it be known that Lux holding the meter up in pic 1243, the meter sez f22 and a half! - that's the smallest possible aperture most cameras can shoot at, and makes the depth of field ie, how much is in focus as deep as possible. That adds to these shots looking awesome. I shot this with my now old Canon D30, and I really like the colour that camera gave. And also on the record, I quite liked Elvaar's initial shoot of Lux, but unfortunatly it had to be withdrawned from the site for legal reasons.

    In 1253, we see how much Lux drank before she could pee and in pics like 1256 and 1258 we can see how distended her belly is!. Great pee shoot, that one. BTW, her tummy is sunburnt cos she fell asleep on a trampoline after an extended mid-morning drinking session. Kids of today, eh?

    1262 - 1374 Melissa Redux
    Elvaar
    : We shot this the afternoon before the evening of Girls Night Out, if I remember correctly - a very, very long day for all concerned.

    Abby: Oh good GOD yes. We'll have some backstage pics from that night soon. Susie for a five minute phone call is enough, but there for THAT long, and... I tire just thinking about it. We love Susie, but she can be a little draining.

    Elvaar: Melissa had worked for Abby in another city but I'd just met her when we did this shoot and she struck me as a really sweet girl, especially with that killer cute lisp. A cool change had just broken a heatwave and you can see the summer rain in the yard, and imagine the humidity. I remember frigging with filters on the video camera to try and get proper exposure with the sun constantly ducking and weaving through the clouds, but in the end I pretty much screwed up the whole thing.

    Melissa made some comment about how she hated those cheap knickers so we said 'well hell hon, how about you tear them right off?' And she did. She really got into this shoot and was particularly fascinated by the view in my deco mirror.

    Abby: In 1282, you can see some CD's from Elvaar's collection - Kylie Minogue, Vanessa Amorossi... ah, he does like his naughties crap-pop sigh Some very sexy frame-by-frame stuff at the end here - download the lot and play them back as a slideshow and watch Mel come alive. Goddamn she is sexy.
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